XX Behaving Like Y
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Built and shipped

A dermatology clinicA global beauty brand's purpose platform

A dermatology clinic behaving like Dove

Where Dove has the Self Esteem Project, NYDG has ColorFull. Not a campaign with a cause attached — a twelve-month platform a clinic could own.

Work I did for NYDG Foundation — ColorFull. The method run properly, approved, and put into the world.

April 2026

The shared audience

People who buy premium skincare and already understand purpose platforms, because mass beauty spent twenty years teaching them. They read a Dove-shaped idea fluently. They skip charity advertising, and they skip clinical advertising, and NYDG had been making both.

Why this pairing

The first attempt was product-led. Clean, premium, well made, and completely ignored — twenty-seven screens in Times Square and no measurable lift, because a campaign that looks like every other skincare campaign gets filtered out in the one place on earth where people filter hardest. The foundation supporting people with albinism came up almost in passing, the way genuinely interesting things do when you're too close to them. The move was not to make a charity ad. It was to notice that the beauty industry had already built the exact vehicle for this — a long-running, named, purpose platform that sits alongside the products rather than interrupting them — and that a dermatology group had never behaved that way. Novel subject, familiar structure. Attention from one, adoption from the other.

What they actually do

01

Name it like a platform, not a campaign

ColorFull — Color and Full. A name that can run for years across cities and partners, rather than a line that expires when the media buy does. Campaigns end. Platforms accumulate.

02

Invert the deficit

People with albinism aren't missing a colour. They have a specific one — an Albus tone unique to them. The whole idea turns on refusing the framing the category assumes, and it produced the line: My Albinism. My Color.

03

Borrow the colour-swatch language

Rendering that tone as a swatch takes a medical condition and puts it in the visual grammar of cosmetics and paint charts — a system this audience already reads as aspirational and precise. The exhibition was built around the photography and the swatch concept.

04

Cast it like fashion, shoot it like journalism

Diandra Forrest, the world's first supermodel with albinism, photographed by Pulitzer Prize winner and Nat Geo photographer Stephanie Sinclair. Beauty conventions for the casting, documentary credibility for the images. Neither reads as an appeal.

05

Pride, not pity

Built on identity rather than struggle. People don't engage because they've been made to feel guilty, they engage because they've been invited into something. Worthy repels this audience; positive brings them in.

06

Treat the placement as the amplifier

Times Square was the trigger, not the goal — the first time a person with albinism was shown there. From that the platform travelled to LA, Cape Town, Hong Kong and London. Big visibility doesn't create attention. It exposes whether you've earned any.

What happened

A 4,000% increase in sales of NYDG's SPF cream on the previous year, with 100% of profits going to the cause. Coverage in Forbes, NowThis and National Geographic. A twelve-month global initiative backed by the United Nations, and partnerships with Oxford University, Sesame Workshop, the Council for Global Affairs, Marlborough School for Girls and NOAH.